In the picturesque town of Tielt, Belgium, Villa Vandenbussche stands as a timeless testament to mid-century modernist architecture. Designed by the acclaimed Belgian architect Georges Vandenbussche in 1969, this residence is a shining example of modernist design principles, seamlessly blending form and function.
PROJECT OVERVIEW
Location: Tielt, Belgium
Architecture: WE-S Architects
Interior Design: Lore De Baere
Photography: Thomas De Bruyne
Upon its completion, Villa Vandenbussche was celebrated for its innovative use of light and space, inspired by the airy Californian homes of the 1920s. With its flat roof, floor-to-ceiling windows, and a harmonious interplay of open and closed surfaces, the villa exemplifies the best of mid-century modernism. However, as the years passed, the once-stunning home fell into disrepair, necessitating a thoughtful renovation.
Interior designer Lore De Baere, alongside the current architect couple residing in the home, undertook the task of reviving this architectural gem. The couple, who split their time between Tielt and Ghent, envisioned the villa as a nature retreat that would showcase their extensive art collection.
De Baere’s approach was both respectful and innovative. Working within the constraints of the existing structure, she focused on updating key areas while preserving the essence of Vandenbussche’s original vision. The kitchen, a pivotal space in any home, was modernized with Afrormosia wood joinery and a sleek stainless-steel worktop, maintaining the mid-century aesthetic.
The villa’s U-shaped floor plan, defined by white-brick partitions rather than traditional doors, facilitates a seamless flow between rooms. “Almost all rooms are divided by half-height walls, creating a fluid transition between spaces,” De Baere explains. These architectural choices are complemented by skylights and wooden doors set at a height of two meters, enhancing the interplay of light and shadow throughout the home.
Vandenbussche’s original design was deeply influenced by light, incorporating glass-panelled windows that not only capture the surrounding Belgian landscape but also offer privacy while mitigating direct sunlight in the summer months. De Baere reflects, “Time and space are captured sacredly in this home, playing a joust between light and shadow against the refined backdrop.”
The material palette chosen for the renovation underscores the villa’s streamlined design. White-painted brick walls, Carrara marble skirting, dark brown ceramic tiles, and Afrormosia timber ceilings create a subdued yet sophisticated environment. The stainless steel door handles, crafted by Flemish metal artist Bonduel, contribute to the home’s nearly brutalist aesthetic, where materiality and detail converge seamlessly.
A noteworthy aspect of the renovation was the preservation of Vandenbussche’s original furnishings. The interior, once a complete ‘Gesamtkunstwerk’ or total work of art, was updated to suit contemporary living while retaining much of its 1960s charm. Iconic pieces such as the Bastiano sofa by Afra & Tobia Scarpa and the Knoll Barcelona daybed were kept, alongside vintage additions like the Tecta D48 chair and custom designs by the new owners, celebrating the home’s mid-century heritage.
Reflecting on the renovation’s impact, De Baere recounts a poignant moment when Georges Vandenbussche visited the home after nearly 50 years. The architect’s heartfelt response, “You have made the house better,” underscores the sensitive and respectful approach taken to honor and enhance this architectural landmark.
Villa Vandenbussche now stands as a beautifully restored mid-century masterpiece, blending its historic charm with modern comforts. It serves as a testament to the enduring allure of mid-century modern design and the thoughtful preservation of architectural heritage.
